痴心女子负心郎

观看地址： 痴心女子负心郎

《痴心女子负心郎 》是一部英语纪录片，《痴心女子负心郎 》于1948正式在美国上映，由雷·米兰德,安·托德,杰拉丁·菲茨杰拉德等明星主演，由刘易斯·艾伦导演的痴心女子负心郎 是一部非常精彩、并且跌宕起伏的纪录片。

痴心女子负心郎 观后点评：《痴心女子负心郎 》剧情虽然不是非常紧凑，但痴心女子负心郎 的剧情还算凑合，痴心女子负心郎 是主打真情实感。痴心女子负心郎 插入了许多符合美国社会面貌的情感与生活气息的电影，在合适的导演以及过硬的剧本素质下，全员演技大爆发，从《痴心女子负心郎 》美国社会面貌的情感与生活气息的电影到主创都透露出相当的真诚，希望各位影视迷能认真观看痴心女子负心郎 。

痴心女子负心郎 剧情介绍：

Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.