红花之歌

观看地址： 红花之歌

《红花之歌 》是一部其它恐怖片，《红花之歌 》于1919正式在其它上映，由Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼等明星主演，由莫里兹·斯蒂勒导演的红花之歌 是一部非常精彩、并且跌宕起伏的恐怖片。

红花之歌 观后点评：《红花之歌 》剧情虽然不是非常紧凑，但红花之歌 的剧情还算凑合，红花之歌 是主打真情实感。红花之歌 插入了许多符合其它社会面貌的情感与生活气息的电影，在合适的导演以及过硬的剧本素质下，全员演技大爆发，从《红花之歌 》其它社会面貌的情感与生活气息的电影到主创都透露出相当的真诚，希望各位影视迷能认真观看红花之歌 。

红花之歌 剧情介绍：

“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.