卧龙战警

观看地址： 卧龙战警

《卧龙战警》是一部英语爱情片，《卧龙战警》于1992正式在美国上映，由劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯等明星主演，由比尔·杜克导演的卧龙战警是一部非常精彩、并且跌宕起伏的爱情片。

卧龙战警观后点评：《卧龙战警》剧情虽然不是非常紧凑，但卧龙战警的剧情还算凑合，卧龙战警是主打真情实感。卧龙战警插入了许多符合美国社会面貌的情感与生活气息的电影，在合适的导演以及过硬的剧本素质下，全员演技大爆发，从《卧龙战警》美国社会面貌的情感与生活气息的电影到主创都透露出相当的真诚，希望各位影视迷能认真观看卧龙战警。

卧龙战警剧情介绍：

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.