心中的故乡

观看地址： 心中的故乡

《心中的故乡》是一部韩语纪录片，《心中的故乡》于1949正式在韩国上映，由Choi,Eun-Hee,,Byeon,Ki-Jong,,Yoo,Min,,Kim,Seon-Young,,Seok,Keum-Seong,,Nam,Seung-Min等明星主演，由尹龙奎导演的心中的故乡是一部非常精彩、并且跌宕起伏的纪录片。

心中的故乡观后点评：《心中的故乡》剧情虽然不是非常紧凑，但心中的故乡的剧情还算凑合，心中的故乡是主打真情实感。心中的故乡插入了许多符合韩国社会面貌的情感与生活气息的电影，在合适的导演以及过硬的剧本素质下，全员演技大爆发，从《心中的故乡》韩国社会面貌的情感与生活气息的电影到主创都透露出相当的真诚，希望各位影视迷能认真观看心中的故乡。

心中的故乡剧情介绍：

Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.